A question he heard a lot when the former executive director, Mike Brand, retired was whether Wharton would still be able to attract the same caliber of shows. Olmscheid has been the executive director for nearly a year now and this season marks the first that he has mostly put together. The Tudor queens will dance on the Wharton stage from May 14-19, 2024. The story is told with all original music that was inspired by modern pop divas such as Beyonce, Miley Cyrus, Celine Dion, Nicki Minaj, Adele, Lizzo, Rihanna, Avril Lavigne and Alicia Keys. We know that they never existed in real time together, but it brings them together as if they were battling over who had it worse off with Henry VIII” “It is a modern-day retelling of the six wives of Henry VIII. “It is a really fun production,” Olmscheid said. They’re determined to break out of the nursery rhyme that every British school kid learns: “Divorced, beheaded, died divorced, beheaded, survived.” The season ends with “Six,” in which the wives of Henry VIII take control of their stories and tell it for the first time from their perspectives. This tour is the 25th anniversary production with a reunion of the original choreographer and the original director. 16-21, 2024, “Mamma Mia!” returns to Wharton Center for the sixth time, transporting the audience to a Greek island where a wedding is about to take place. It’s told in a way that’s fun and accessible.” 'Mamma Mia'įrom Jan. “But what she encounters is her plus-size self being hit against what society feels is acceptable, especially to be on television, paired with the backdrop of race relations of the 1960s. “It’s this great, fun, upbeat show about a teenage girl, Tracy Turnblad, who is trying to find her way in life,” Olmscheid said. It is the second time “Hairspray” has come to the Wharton Center with the last time being 2005. She does this after fighting to win her own spot, something made more difficult because she lives in a plus-sized body. While the next show is filled with far more song, dance and jubilation, “Hairspray” also tackles race relations as the indomitable 16-year-old Tracy Turnblad fights to desegregate a weekly television dance show in Baltimore. “Are we providing a variety and an arc of experience that makes audiences think, encourages them to laugh, connects with them in an entertaining way and maybe helps them see the world in a way that they haven’t seen before?” Olmscheid said. Olmscheid said the Wharton is committed to finding a balanced, season-long journey of show types and styles that have been well-received by audiences around the country and on Broadway. The season opens with “To Kill a Mockingbird” and then continues with “Hairspray,” “Mamma Mia,” “Funny Girl,” “Moulin Rouge! The Musical” and “Six.” The Wharton Center Broadway package includes five shows “Mamma Mia!” will be offered as a special event. “I truly am excited about all six performances.” “It’s really about finding a little old, a little new, a little fun and entertaining and a little socially challenging - all of it mixed together,” said Eric Olmscheid, Wharton’s executive director. The Wharton Center invites its audience on a rollicking jaunt through history as it reveals the 2023-'24 Broadway season.
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